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Panasonic VDR-D300 Camcorder Review

 

The 3 Charge-coupled device difficulty on DVD camcorders has eventually been overcome. It is done by the Panasonic VDR-D300. This high-class DVD cam with an MSRP of USD999 must wed the most excellent of Panasonic’s MiniDV 3 chip functioning with the comfort and advantage of the DVD format. The D300 comes out to be tough one for top DVD camcorder of the year. But having the same price tag similar to PV-GS500 (USD1040) and GS400 (USD1099), can the D300 fight?

 

 

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Video Performance

The Panasonic VDR-D300 (USD535) is available loaded with 3 1/6” Charge-coupled devices, each one having 800K gross pixels. Having 640K effective pixels in 4:3 ratio, and 540K effective pixels in 16:9 mode. The dissimilarities among the D300 and Panasonic’s high-end DVD camcorder are large. Most especially, the VDR-M75 (USD670) possessed just a single 1/4.5” Charge-coupled device to function. However DVD cams are getting more and more popular. Previous year Sony’s DVD403 got very popular, which offered a superb video functioning and results got by its large 1/3” Charge-coupled device and with 2048 effective pixels. This year Sony seems to maintain their superiority with the DVD505 (USD664). This is a DVD camcorder boasting a highly developed 1/3inch ClearVID CMOS sensor along with 1910K effective pixels.

 

Low Light Performance

As tremendous as the D300’s 3000 lux video functioning and result was, the low light execution dissatisfied, and looked just to show that chip size is a most important element in this feature. The 1/6inch Charge-coupled devices, Regardless of being three in number, were unable to take much light to cope with a larger, 1/3inch chip camcorder for example DVD403.

 

At 60 lux, the VDR-D300 acquired features of a style we have detected in this year’s Panasonic camcorders. Same to as in the case of the MiniDV PV-GS39 (USD213), the good grain noise has taken an increasing trend since last year. Panasonic’s intention appears to be an advance in general sharpness, however the noise is difficult to overlook. Colors are enough strong, however the greens started to muddy together. The whites, on the other hand, are much strong. In VDR-M75, in spite of possessing a substandard bright light result appeared enough better in low light conditions. The Sony DVD403’s video recording is unbelievable. It appears almost as fine as it behaved at 3000 lux.

 

 

Wide Angle

The VDR-D300 was examined for the breadth of its field in the two modes, 4:3 and 16:9, to check whether the camcorder owns true widescreen mode, and to check what the difference among these two modes is. In 4:3 modes, the D300 featured a broad angle of 39 degrees. In 16:9 modes, it gave an angle of 39 degrees. This no difference in field width means that the D300 does not have the characteristic of true widescreen. The PV-GS39, for instance, gave a difference of 12 degrees when checked in two modes of 4:3 and 16:9.

 

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