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Panasonic VDR-D100 Camcorder Review

 

The Panasonic VDR-D100 is the bottom-class DVD camcorder the company is presenting this year. It deficiencies all the characteristics that you usually lack in the entry-level models – a 2.5inch instead of 2.7inch Liquid crystal display, and it does not offer still media card as the camcorder does not capture stills. This model lets down to brass tacks – video recordings directly to DVD, no additions. At the cost of USD500, you acquire what you pay for.

 

 

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Video Performance

The Panasonic VDR-D100 (USD300) developed an unremarkable picture at 3000 lux in our standardized circumstances. It’s what you would be expecting from a camcorder of this quality. Within, the D100 features a 1/6inch Charge-coupled device developing 680K gross pixels. What it gives is a poised however quite flat looking image. Dissimilar to the last year’s product Panasonic VDR-M53 (USD403), the D100 does not upset into too much blue. The spectrum is constant. It does appear to be an extremely noisy image likened to last year, and does not match the sharpness or high-spiritedness of this year’s top-class VDR-D300 (USD535).

 

We examined the Panasonic VDR-D100 with a lot of camcorders to assess its video results. The D300 presented much stronger colors on the whole, apparent mainly in the greens. The VDR-M53 also gave stronger colors, while the D100 developed stronger whites and blacks. The DC10 (USD410) gave an outstandingly similar image, same in color qualities so greatly that I really imagined this may have been a Canon for an instant. The DC10, on the other hand, did not produce so much noise. Eventually, the Sony DVD92 (USD365) is the one and only camcorder in this family to possess the same levels of noise. The color tones are same.

 

Low Light Performance

At 60 lux, the Panasonic VDR-D100 demonstrates a spectacular rise in noise. Since the image was somewhat noisy in the beginning, but it does not make it any more satisfactory. The colors are extremely strong, and almost as brilliant as the 3000 lux picture, which shows a good automatic gain control. The big amount of noise of the price you give.

 

 

Wide Angle

The Panasonic VDR-D100 offers consumers with a 4:3 or 16:9 choices while photographing with this camera even though some explanation is required regarding whether this 16:9 Cinema mode is a true widescreen or just digital effect. When examined the VDR-D100 exhibited a same width when examined in both 4:3 and 16:9 formats. The 16:9 formats is attained by cutting short the top and bottom borders of the image to make a reductive 16:9 format that cuts down the total of visual information showed.

 

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